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THE FAN VAULT

Here’s my “post 5 pix that you think you look beautiful” in meme.
I’m a bloody vixen! 
Please go ahead and post yours too. We should remember how beautiful we are more often. <3

Here’s my “post 5 pix that you think you look beautiful” in
 meme.

I’m a bloody vixen! 

Please go ahead and post yours too. We should remember how beautiful we are more often. <3

from Joss Whedon's Reddit Interview:

Q:
I'm sure that killing off a character you've invested a lot of time in can be tough. Have you ever found that doing this to a particular character has had a profound emotional affect on you? Who was the toughest kill?
A:
I actually find it refreshing... delightful.... vaguely arousing....Actually, I'm, no offense, very tired of being labelled as "the guy who kills people". Shakespeare (he's this hot new writer) does it way more than me, and everyone's all excited about how he, as it were, holds a mirror up to nature, while I'm like the Jason Voorhees of the writing community. Unfair. Also, probably Buffy's Mom.
El Topo


A bizarre, ultra-violent, allegorical Western, &#8220;El Topo&#8221; is set in two halves that have widely been compared to the Old and New Testaments of the Bible. In the first half, Jodorowsky plays a violent, black-clad gunfighter who, accompanied by his naked son, sets off on a murderous mission to challenge four Zen masters of gunfighting, and learns from each of them a Great Lesson before they die. In the second half, El Topo sets out to find personal redemption, secluding himself in a subterranean community to learn the ways of peace, but unfortunately death is never far away. First released as an underground film, it was thanks to John Lennon that the film was acquired by Allen Klein of ABKCO, who bought the rights to &#8220;El Topo&#8221; and then financed Alejandro Jodorowsky&#8217;s next film &#8220;The Holy Mountain.&#8221;
El Topo


A bizarre, ultra-violent, allegorical Western, &#8220;El Topo&#8221; is set in two halves that have widely been compared to the Old and New Testaments of the Bible. In the first half, Jodorowsky plays a violent, black-clad gunfighter who, accompanied by his naked son, sets off on a murderous mission to challenge four Zen masters of gunfighting, and learns from each of them a Great Lesson before they die. In the second half, El Topo sets out to find personal redemption, secluding himself in a subterranean community to learn the ways of peace, but unfortunately death is never far away. First released as an underground film, it was thanks to John Lennon that the film was acquired by Allen Klein of ABKCO, who bought the rights to &#8220;El Topo&#8221; and then financed Alejandro Jodorowsky&#8217;s next film &#8220;The Holy Mountain.&#8221;
El Topo


A bizarre, ultra-violent, allegorical Western, &#8220;El Topo&#8221; is set in two halves that have widely been compared to the Old and New Testaments of the Bible. In the first half, Jodorowsky plays a violent, black-clad gunfighter who, accompanied by his naked son, sets off on a murderous mission to challenge four Zen masters of gunfighting, and learns from each of them a Great Lesson before they die. In the second half, El Topo sets out to find personal redemption, secluding himself in a subterranean community to learn the ways of peace, but unfortunately death is never far away. First released as an underground film, it was thanks to John Lennon that the film was acquired by Allen Klein of ABKCO, who bought the rights to &#8220;El Topo&#8221; and then financed Alejandro Jodorowsky&#8217;s next film &#8220;The Holy Mountain.&#8221;
El Topo


A bizarre, ultra-violent, allegorical Western, &#8220;El Topo&#8221; is set in two halves that have widely been compared to the Old and New Testaments of the Bible. In the first half, Jodorowsky plays a violent, black-clad gunfighter who, accompanied by his naked son, sets off on a murderous mission to challenge four Zen masters of gunfighting, and learns from each of them a Great Lesson before they die. In the second half, El Topo sets out to find personal redemption, secluding himself in a subterranean community to learn the ways of peace, but unfortunately death is never far away. First released as an underground film, it was thanks to John Lennon that the film was acquired by Allen Klein of ABKCO, who bought the rights to &#8220;El Topo&#8221; and then financed Alejandro Jodorowsky&#8217;s next film &#8220;The Holy Mountain.&#8221;
El Topo


A bizarre, ultra-violent, allegorical Western, &#8220;El Topo&#8221; is set in two halves that have widely been compared to the Old and New Testaments of the Bible. In the first half, Jodorowsky plays a violent, black-clad gunfighter who, accompanied by his naked son, sets off on a murderous mission to challenge four Zen masters of gunfighting, and learns from each of them a Great Lesson before they die. In the second half, El Topo sets out to find personal redemption, secluding himself in a subterranean community to learn the ways of peace, but unfortunately death is never far away. First released as an underground film, it was thanks to John Lennon that the film was acquired by Allen Klein of ABKCO, who bought the rights to &#8220;El Topo&#8221; and then financed Alejandro Jodorowsky&#8217;s next film &#8220;The Holy Mountain.&#8221;
El Topo


A bizarre, ultra-violent, allegorical Western, &#8220;El Topo&#8221; is set in two halves that have widely been compared to the Old and New Testaments of the Bible. In the first half, Jodorowsky plays a violent, black-clad gunfighter who, accompanied by his naked son, sets off on a murderous mission to challenge four Zen masters of gunfighting, and learns from each of them a Great Lesson before they die. In the second half, El Topo sets out to find personal redemption, secluding himself in a subterranean community to learn the ways of peace, but unfortunately death is never far away. First released as an underground film, it was thanks to John Lennon that the film was acquired by Allen Klein of ABKCO, who bought the rights to &#8220;El Topo&#8221; and then financed Alejandro Jodorowsky&#8217;s next film &#8220;The Holy Mountain.&#8221;
El Topo


A bizarre, ultra-violent, allegorical Western, &#8220;El Topo&#8221; is set in two halves that have widely been compared to the Old and New Testaments of the Bible. In the first half, Jodorowsky plays a violent, black-clad gunfighter who, accompanied by his naked son, sets off on a murderous mission to challenge four Zen masters of gunfighting, and learns from each of them a Great Lesson before they die. In the second half, El Topo sets out to find personal redemption, secluding himself in a subterranean community to learn the ways of peace, but unfortunately death is never far away. First released as an underground film, it was thanks to John Lennon that the film was acquired by Allen Klein of ABKCO, who bought the rights to &#8220;El Topo&#8221; and then financed Alejandro Jodorowsky&#8217;s next film &#8220;The Holy Mountain.&#8221;
El Topo


A bizarre, ultra-violent, allegorical Western, &#8220;El Topo&#8221; is set in two halves that have widely been compared to the Old and New Testaments of the Bible. In the first half, Jodorowsky plays a violent, black-clad gunfighter who, accompanied by his naked son, sets off on a murderous mission to challenge four Zen masters of gunfighting, and learns from each of them a Great Lesson before they die. In the second half, El Topo sets out to find personal redemption, secluding himself in a subterranean community to learn the ways of peace, but unfortunately death is never far away. First released as an underground film, it was thanks to John Lennon that the film was acquired by Allen Klein of ABKCO, who bought the rights to &#8220;El Topo&#8221; and then financed Alejandro Jodorowsky&#8217;s next film &#8220;The Holy Mountain.&#8221;

El Topo

  1. A bizarre, ultra-violent, allegorical Western, “El Topo” is set in two halves that have widely been compared to the Old and New Testaments of the Bible. In the first half, Jodorowsky plays a violent, black-clad gunfighter who, accompanied by his naked son, sets off on a murderous mission to challenge four Zen masters of gunfighting, and learns from each of them a Great Lesson before they die. In the second half, El Topo sets out to find personal redemption, secluding himself in a subterranean community to learn the ways of peace, but unfortunately death is never far away. First released as an underground film, it was thanks to John Lennon that the film was acquired by Allen Klein of ABKCO, who bought the rights to “El Topo” and then financed Alejandro Jodorowsky’s next film “The Holy Mountain.”

"The battle for the mind of North America will be fought in the video arena — the videodrome. The television screen is the retina of the mind&#8217;s eye. Therefore the television screen is part of the physical structure of the brain. Therefore whatever appears on the television screen emerges as raw experience for those who watch it. Therefore television is reality, and reality is less than television.&#8221;
Videodrome
"The battle for the mind of North America will be fought in the video arena — the videodrome. The television screen is the retina of the mind&#8217;s eye. Therefore the television screen is part of the physical structure of the brain. Therefore whatever appears on the television screen emerges as raw experience for those who watch it. Therefore television is reality, and reality is less than television.&#8221;
Videodrome
"The battle for the mind of North America will be fought in the video arena — the videodrome. The television screen is the retina of the mind&#8217;s eye. Therefore the television screen is part of the physical structure of the brain. Therefore whatever appears on the television screen emerges as raw experience for those who watch it. Therefore television is reality, and reality is less than television.&#8221;
Videodrome
"The battle for the mind of North America will be fought in the video arena — the videodrome. The television screen is the retina of the mind&#8217;s eye. Therefore the television screen is part of the physical structure of the brain. Therefore whatever appears on the television screen emerges as raw experience for those who watch it. Therefore television is reality, and reality is less than television.&#8221;
Videodrome
"The battle for the mind of North America will be fought in the video arena — the videodrome. The television screen is the retina of the mind&#8217;s eye. Therefore the television screen is part of the physical structure of the brain. Therefore whatever appears on the television screen emerges as raw experience for those who watch it. Therefore television is reality, and reality is less than television.&#8221;
Videodrome
"The battle for the mind of North America will be fought in the video arena — the videodrome. The television screen is the retina of the mind&#8217;s eye. Therefore the television screen is part of the physical structure of the brain. Therefore whatever appears on the television screen emerges as raw experience for those who watch it. Therefore television is reality, and reality is less than television.&#8221;
Videodrome
"The battle for the mind of North America will be fought in the video arena — the videodrome. The television screen is the retina of the mind&#8217;s eye. Therefore the television screen is part of the physical structure of the brain. Therefore whatever appears on the television screen emerges as raw experience for those who watch it. Therefore television is reality, and reality is less than television.&#8221;
Videodrome
"The battle for the mind of North America will be fought in the video arena — the videodrome. The television screen is the retina of the mind&#8217;s eye. Therefore the television screen is part of the physical structure of the brain. Therefore whatever appears on the television screen emerges as raw experience for those who watch it. Therefore television is reality, and reality is less than television.&#8221;
Videodrome
"The battle for the mind of North America will be fought in the video arena — the videodrome. The television screen is the retina of the mind&#8217;s eye. Therefore the television screen is part of the physical structure of the brain. Therefore whatever appears on the television screen emerges as raw experience for those who watch it. Therefore television is reality, and reality is less than television.&#8221;
Videodrome

  • "The battle for the mind of North America will be fought in the video arena — the videodrome. The television screen is the retina of the mind’s eye. Therefore the television screen is part of the physical structure of the brain. Therefore whatever appears on the television screen emerges as raw experience for those who watch it. Therefore television is reality, and reality is less than television.”

Videodrome

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